Okay, I admit it — I rented “Elysium.” It’s supposed to be science fiction, so I thought I’d like it, but there isn’t a lot of science, except for political science. It’s mostly a lame attempt at socialist propaganda, but it winds up being, accidentally, a fairly accurate portrayal of a socialist dystopia.
I found myself looking at ruined, impoverished Earth, and thinking, “Oh, look! The Democrats and Muslims took over the world, and now the whole planet is a toxic blend of Detroit and a Palestinian refugee camp. That’s totally believable.”
That was the the last, believable thread of the whole story concept, and the irony of it was absolutely unintentional. My overtaxed willful suspension of disbelief snapped right after that.
Next, there’s the alleged “science” in this propaganda piece. What technology could stuff the energy to take one of those “Aliens”-era shuttles from a dead stop to escape velocity (18,000+ mph) in the thickness of Earth’s atmosphere (all without smearing the occupants all over the back end with the acceleration and incinerating them against atmospheric friction), but couldn’t make every inhabitant of Earth rich beyond his wildest dreams?
What technology could put a magical wellness and tanning bed in every house on Elysium, but not a single one on poor, ole’ proletarian Earth? That’s not a science-based decision; it’s a political one — one Communist elites have made for their vaunted working classes in every Socialist People’s Paradise ever built.
In the best Communist tradition, the best health care is reserved for the party members, and the proles get the dilapidated, dirty, “Los Angeles County Public Hospital,” with its “matured Obamacare” health-care horror show. Oh, sorry — it was “Hospital Publico de la Condad de Los Angeles.” Spanish is the language of poverty, on Planet Kabul/Detroit.
What sort of Hollywood-based cultural bias does that reveal, and where do we go to get an apology for it?
Only Communism could spread poverty over a whole planet, isolate a ruling class in space, literally and metaphorically above the “Proletariat,” and want to preserve that status at all costs.
Only lame-ass Hollywood writers would steal the Ringworld concept from Larry Niven, and trash it with a simple-minded and physically-impossible interpretation. But, hey, the writers are probably Commies, too, so what’s a little intellectual property expatriation to them? Larry Niven didn’t build that!
Well, yeah, he DID build it. And HE got it right.
Lame-ass writing. Lame-ass actors. ELYSIUM is a lame-ass movie.